Miso's practice sways between wheat-pasting hard-drawn portraits in city streets, to intricate drawings and installations in gallery spaces. Her street work becomes scattered around cities as she travels, drawing from one city and pasting it onto the next. Much of her work is concerned with the politics of urban space, and is inspired by folk and utilitarian art. In the last year, she has published a book on Melbourne street art for Thames & Hudson, has had work bought by the National Gallery of Australia, and taught women street art in Saudi Arabia.
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